![]() There is already a rich literature on the planning of regular shelves. For example, two different products can be positioned next to and behind one another on two-dimensional shelves.Įxamples of Categories Stored on Two-Dimensional Shelves With these shelves, items can be arranged more flexibly in the two-dimensional space, whereas with regular shelves the options are restricted by the shelf levels and their height. Many other retail formats fit into these settings, e.g., products and magazines in kiosks, snacks or electronics in vending machines and display ads (see also Geismar et al. These two-dimensional shelves types are, for example, used for the presentation of fresh food like bakery products and sausages, frozen products or in fashion retailing and consumer electronics. Examples of these shelf types are to be found in Figure 1. Some products are presented on “tilted shelves” (like counters, fridges or tables) onto which customers have a total perspective. Not all retail categories are kept on regular shelves. For example, candies, coffee and tea, canned goods, cleaners, and personal care products are presented on regular shelves. We refer to this shelf type as a “regular shelf” herein. This firstly implies that a customer can only see the facing, and secondly, that two different products can only be positioned next to but not behind one another. Common characteristics of these models are that demand depends on the number of facings (= the foremost unit of an item in the front row of the shelf), and that retail shelves are observed by customers from a frontal direction. This is referred to as “space-elastic demand.” This topic has gained a lot of research attention over recent years (see e.g., Bianchi-Aguiar et al. The more shelf space is allocated to an item, the more it attracts customers and the higher its demand. These decisions are not only based on the margins of the products but also on associated demand and customer preferences. Consequently, planning retail shelves involves the tasks of specifying the product assortments as well determining the space and quantities for selected items. The space available per product is less if broader assortments are offered and vice versa. The selection of items and space allocation of the items to the shelf are interdependent planning problems when shelf space is restricted. In order to achieve superior performance, retailers have to recognize customers’ needs and identify these as key drivers (Eltze et al. Furthermore, customer satisfaction is mostly driven by availability of the right products. The increasing number of items to allocate, the shortage of shelf space, narrow margins in retail and the intensity of competition have greatly magnified the importance of retail assortment and shelf-space planning (cf. Up to 30% more products compete for the limited space than was the case ten years ago (EHI Retail Institute 2014, Hübner et al. e.g., Brown and Tucker 1961, Geismar et al. Shelf space has been referred to as one of the retailer’s scarcest resources (cf. This study considers the problem of selecting, allocating and arranging products on retail shelves. We demonstrate with further simulated data that integration of stochastic demand, substitution, and space elasticity results in up to 80% higher profits. Based on a numerical study with data from one of Germany’s largest retailers, we were able to show within the scope of a case study that our approach can lead to an increase in profits of up to 15%. By comparing it to an exact approach and other benchmarks, we prove its efficiency and demonstrate that results are near-optimal with an average solution quality of above 99% in terms of profit. To solve the model, we implement a specialized heuristic that is based on a genetic algorithm (GA). We contribute to current literature by integrating the assortment decision and accounting for stochastic demand, space elasticity and substitution effects in the setting of such self types. We develop a decision model that optimizes the two-dimensional shelf-space assignment of items to a restricted, tilted shelf. Customers have a total perspective on these shelves and can observe units of one particular item horizontally and vertically instead of just seeing the foremost unit of an item, as is the case of regular shelves. These are categories that are kept on tilted shelves. This study provides a modeling and solution approach for two-dimensional shelves, e.g., for meat, bread, fish, cheese, or clothes. The existing shelf-space literature mainly deals with regular retail shelves onto which customers only have a frontal perspective. Product proliferation and changes in demand require that retailers regularly determine how items should be allocated to retail shelves.
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It also reduces the back pressure on the tweeter and reduces distortion from the tweeter. The chamber tweeter design lowers the resonance frequency of the tweeter and allows a lower crossover frequency to the woofer. A swiveling tweeter ensures an improved frequency response in the outdoor area. It shines with improved performance in the lower frequency range as well as improved driver materials. The Sonance VP42 delivers the best sound quality in its price range. ![]() ![]() Sonance offers the best sound, the best looks and the widest range of in-wall and in-ceiling speakers. ![]() Sonance launches its new series of built-in speakers in 2013. Sonance Visual Performance Series In Ceiling Speakers, Model VP42R (Sold As Pair) Lowers the resonance frequency of the tweeter Allows for a lower crossover.425. VP42R, VP46R, VP48R, + Square Adaptor Product Family Overview. The Sonance VP42R is part of the Sonance Visual Performance series, which comes in different shapes and sizes and makes it possible to find an aesthetic for every form of application in every room. ![]() "When Mobile In is connected, Jammit will load amp and effect sounds custom matched to the song, automatically changing the sound when appropriate as the song plays." They also announced the Line 6 Mobile In digital interface which connects a guitar to an iPad or iPhone: In June, Jammit made multiple announcements including a Windows version in addition to previous releases for Macs and iOS devices. While that seems entirely fair in this case, the early days of compact discs and later of ringtones are especially strong examples of premium pricing based on new technology that actually costs less than earlier forms to produce or that even provide snippets of songs in a new context. The pricing is clearly reflective of both tech development and licensing terms and may even be a bit low but it's also a reminder that when you take a song and make it available in a different form of media or on a different tech platform you can often charge more per song than the song itself would normally cost. Most individual Jammit tracks appear to be priced at $2.99, some a bit higher with sale tracks at $.99 or $1.99. You can then isolate each instrument and the vocals on the track but, most importantly, you can play along with your chosen instrument following the standard notation or tablature.Īs noted in a press release, Jammit is a product of "five years of development, near-impossible licensing obstacles and an extended beta period that yielded three industry awards." Given the fact that they use master tracks for their songs, you can bet those licensing terms were onerous. You buy instrument or vocal-specific versions of a variety of rock tracks from acts such as Alice Cooper, Boston, Anthrax, Kiss, Lamb of God, Nirvana and other arena acts. That would certainly fit its use as a rock-focused educational tool. I wasn't that surprised to hear that their best sellers are 30 to 40 years old though I bet Nirvana also does well. Line 6 Mobile In is $79.95 (estimated street price) and can be purchased from a variety of retailers.Jammit's an impressive software achievement and also a rather impressive feat of licensing but also feels a bit old-fashioned. Songs range in price from $1.99 to $5.99. Jammit is available as a free download from the App Store (opens in new tab). ![]() Mobile In also features a stereo line input for connection additional devices. Unlike other devices that connect to the analog headphone jack of an iPad or iPhone, Mobile In attaches via the 30-pin connector for a high-quality, all-digital signal path. When Mobile In is connected, Jammit will load amp and effect sounds custom matched to the song, automatically changing the sound when appropriate as the song plays.Īs the highest-quality guitar system for iPhone and iPad, the Mobile In digital interface features professional specifications for rich, clear guitar tones: up to 24-bit/48 kHz audio quality throughout, and 110 dB dynamic range on the guitar input. The Line 6 Mobile In digital interface connects a guitar to the iPad or iPhone, and also unlocks added functionality within the Jammit app. Doing this makes the blocks disappear, gives you points, and advances you across a map with extra than 100 tiers. There are countless bonuses that you can use to wipe loads of colored blocks off the map at once. Played by 12 year old JosephTAP, BLAST & COLLECT THE TOYSThe ultimate matching puzzle game with unique gameplay Its Toy Blast timeJoin the fun world of A. 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There are countless possibilities, and your talent in solving puzzles will be key in mastering Toy Blast. ![]() Both are viable – The list if you have a lot of files or the larger images for better clarity. You have two options to pick from, the standard list or the larger icons. It feels very responsive and interactive. It does what it was meant for, meaning it’s user-friendly. The registration is fairly simple though it doesn’t support any outside helpers (Facebook& Google login). Mega is quite cheap and affordable which is why it falls under our cheap cloud storage providers list. Mega.nz offers no lifetime cloud storage plans. There’s no limit on how many friends you can refer.
It may cause seizures that affect vision, leading to the person seeing flashing lights and multicolored spots. Occipital epilepsy is a rare condition that affects some young children and teenagers with epilepsy. difficulty speaking or understanding othersĬombinations of medications that reduce the symptoms and prevent future episodes are available to treat migraine. ![]() sensory changes, such as tingling or numbness.visual disturbances, such as seeing flashes of light, spots, or zigzags.An aura is a collection of sensory disturbances that indicate the start of a migraine episode. People with migraine commonly experience auras. ![]() Several other health conditions can cause flashes in the corner of the eye, such as: Migraine Treatments for cytomegalovirus retinitis include laser eye surgery and antiviral medications, such as ganciclovir (Cytovene). The virus can also cause permanent retinal damage, resulting in blindness. Without treatment, the symptoms of cytomegalovirus retinitis can spread to both eyes. It can cause floaters with blurred vision that may lead to vision loss in one eye. Cytomegalovirus retinitisĬytomegalovirus retinitis is a virus that affects the retinas. a feeling of something being stuck in the eyeĪ person should also avoid touching or scratching the eye.However, a person should contact a doctor immediately if they experience any of the following symptoms: Symptoms of eye trauma might disappear immediately and require no treatment. Trauma can put pressure on the retina, causing flashes. TraumaĮye trauma can also cause flashes in the corner of the eye. For some people, however, the tear causes no symptoms and requires no treatment. The symptoms can also include blurred or darkened vision.Ĭryotherapy and laser therapy are common and effective treatments for retinal tears. Tearing the retina can cause retinal detachment or bleeding in the eye. However, it could have severe consequences, such as a hole or tear in the retina, for some people. Vitreous detachment is not usually serious. There are currently no treatments for vitreous detachment associated with aging, and people tend to adapt to the flashes and floaters eventually. ![]() Vitreous detachment is a condition wherein the vitreous body breaks away from the retina. A vitreous detachment can cause these flashes with floaters. Some eye-related causes of flashes in the corner of the eye can include: Vitreous body or retinal damageĬhanges in the shape or position of the vitreous body are common and become more likely with age. ![]() For the most part they are represented alone, engrossed in their own thoughts or activities. In Olowska’s latest series of paintings female figures are captured posing, working or acting in diverse backgrounds. With this exhibition Olowska invites us to thoroughly re-contemplate representations of women, particularly within an art historical context, and to redefine the purpose of their portraiture how, she asks, can we reformulate tradition to encompass what has been destroyed and what needs to be invented? Spanning the gallery’s three floors, Destroyed Woman puts forward a visual and emotional landscape through which to contemplate the self and the other, provoking our consideration of themes such as womanhood, ageing, the power of tradition and the spectator’s gaze. Paulina Olowska’s exhibition at Simon Lee Gallery, London, constitutes the latest chapter in the artist’s continuous and fertile research into image-making, exploring the ways in which she interprets painting as a vehicle for her idiosyncratic visions and as a facilitator for the exchange of feelings and sensations with the viewer. Mack, Robert Morris, Robert Rauschenberg, and Michael E. Among the artists on view are Anna Betbeze, Elaine Cameron-Weir, Verena Dengler, ektor garcia, Mike Kelley, Eric N. With works dating from the 1970s to the present, the show reflects eclectic material sensibilities generated from production methods that are alternatively virtuosic and hand-crafted, on the one hand, or industrial and ad hoc, on the other. Blurring boundaries between painting and sculpture as well as between craft and fine art forms, artists from three generations are put in discussion with one another, as they transform found and commonplace objects into new works, alternatively reflecting uncanny sensibilities or an embrace of cultural or gendered embodied identities. Since Last We Met centers around an imagined set of metaphorical conversations among artists who experiment with notions of materiality. Simon Lee Gallery, New York, is pleased to present Since Last We Met, an intergenerational group exhibition organized by Debra Singer in collaboration with Simon Lee Gallery. Like Morris’ News from Nowhere, Perret’s project engages with the promise of an ideological agenda that promotes egalitarian human relationships. The Crystal Frontier explores the lives of an autonomous community who have abandoned Western neoliberal society for the remote desert of South Western Mexico, envisaged by the artist as a refuge from the ills of capitalism and patriarchal convention. Perret’s practice directly references Morris, whose vision of a utopian future reflects the fictionalised women-only commune that has been central to her work for the past two decades. Yet just as quickly as he finds himself in this paradise, Guest is transplanted back to the nineteenth century where he resolves to make his dream of the future a reality of the Victorian social order. Following revolutionary upheaval, England, now called ‘Nowhere’, has become a humane socialist society in which all people live in equality. Blending utopian socialism with science fiction, the narrative follows William Guest who, after returning home from a meeting of the Socialist League, wakes the next morning to find himself catapulted into the twenty-first century and into a world beyond all recognition. The exhibition’s title derives from British polymath and socialist activist, William Morris’ 1890 novel of the same name, in which he imagines a utopian future liberated from systems of capitalism. This will be her second solo exhibition at the Hong Kong gallery. Simon Lee Gallery is pleased to present News from Nowhere, an exhibition of new works by Swiss artist Mai-Thu Perret. As an icon of the artist’s most renowned series, Blah, Blah, Blah invites the viewer to experience a total immersion into Bochner’s central doctrine: the intersection of linguistic and visual representation. Blah, Blah, Blah is infused with a sense of ritual and drama inherent to many forms of worship and that invokes connotations of artistic pilgrimage, bringing to mind seminal destinations including Bochner’s contemporary Robert Smithson’s Spiral Jetty in Utah’s Salt Lake. The painting acts as an altarpiece in the darkened exhibition space, as though a chapel of Blah Blah Blah, inspiring such spiritual associations as the 15th-century polyptych Ghent Altarpiece painted by brothers Hubert and Jan van Eyck, or the more contemporary Rothko Chapel in Houston. On the occasion of its second exhibition at Blanc Art Space’s pop-up project space in Beijing, Simon Lee Gallery is proud to present Mel Bochner’s Blah, Blah, Blah (2011), a monumental eight-part canvas that represents the apex of his eponymous body of work. |
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